Tag Archives: arabic

Bigger Stink Means Higher Price as Men Crave Rare Oud Fragrance

By Susan Hack – Sep 19, 2013 For centuries, scent hunters have indiscriminately cut down old-growth forests in search of the resin produced by wild Aquilaria trees, which is burned as incense, carved into ritual objects and distilled into oud — the most valuable natural oil on earth. Photograph: Mitchell Feinberg/Bloomberg Pursuits The first time Mike Perez wore dehn al-oud — an essential oil distilled from the resin of Asian Aquilaria trees — he was so appalled by the smell that he hid inside his home. Enlarge image Musk Oud by Kilian. Photograph: Courtesy of Kilian Enlarge image M7 Oud Absolu by Yves Saint Laurent. Photograph: Courtesy of YSL “I put on way too much, and frankly, it smelled like animal butt,” says Perez, a 42-year-old manager for Barclay’s Real Estate Group in Miami. Fragrances reveal their true nature as they evaporate on the skin, Bloomberg Pursuits magazine will report in its Autumn 2013 issue, so Perez resisted the temptation to wash. “The barnyard note started changing into something intensely woody, damp and complex,” recalls the fragrance enthusiast, who has a collection of almost 1,500 scents. “It lasted 24 hours, and by then, I understood why some have described oud as transcendent. I invited a friend over to try a tiny swipe; after the initial shock, he became emotional as it evoked memories of a boyhood vacation by a lake and the smell of his skin and bathing suit and even the dock drying in the summer sun.” Akin to such potent, primeval scents as ambergris and Himalayan deer musk, oud (the name means wood in Arabic) is an alluring mystery even to those who know it well. Used by the Ancient Egyptians for embalming and mentioned in the Bible’s Song of Solomon, the resin is produced by a rare and little-understood defense mechanism: When disease-carrying microbes breach the trunk of an Aquilaria tree, a dark and extremely aromatic resin is secreted, invisible beneath the outer bark. Burned as Incense For reasons still unknown to science, fewer than 2 percent of wild Aquilaria trees ever produce resin. For centuries, scent hunters have indiscriminately cut down old-growth forests in search of the substance, which is burned as incense, carved into ritual objects or distilled into the most valuable natural oil on earth. Half a teaspoon of oud oil made from 100-year-old trees for Oman’s Sultan Qaboos in 1982 sold to a private collector in 2012 for $7,000. In China , demand for top-quality resin has pushed prices as high as $300,000 per kilogram. Despite a ban on the harvesting of wild Aquilaria by the Convention on International Trade in Endangered Species , such pricing has triggered widespread poaching and a race to perfect sustainable techniques for artificially infecting farmed trees. Smell of Money To the $31.6 billion fragrance industry, oud and its aficionados smell like one thing: money. Sales of oud fragrances rose 34 percent in 2012, according to New York-based consumer research firm NPD Group Inc. Such scents were virtually unheard of in the global market before 2002, when Yves Saint Laurent released Tom Ford ’s M7, widely acknowledged as the first Western oud fragrance. Today, out of more than a thousand new scents released annually, one in eight contains oud. The developing taste for oud reflects “trends for intense, intriguing, daring scents that tap into a desire to travel and experience other cultures,” fragrance historian Elena Vosnaki says, and has helped drive sales of prestige male fragrances in the U.S. alone to $953 million. In the past year, Armani, Dior (CDI) , Ferrari and even the Body Shop have all jumped on the bandwagon. Perfumer Kilian Hennessy — the cognac heir who introduced Musk Oud, the latest in his line of oud fragrances, in June under the By Kilian label — caught the bug on a 2008 trip to Dubai, where oud incense wafting through malls, mosques and hotel lobbies has become as signature a scent as lavender is to Grasse, France . ‘Weapon of Seduction’ “To Westerners, men’s fragrance is a weapon of seduction,” Hennessy says. “But to people in the Arab Gulf, oud is comforting, part of their olfactory world and an envelope in which they feel protected.” The oud used in all By Kilian fragrances is synthetic, bioengineered to approximate the real deal. That said, “I have never smelled a synthetic oud that re-creates the complexity and intensity of the real one,” Hennessy says. According to Robert Blanchette , a forest pathologist at the University of Minnesota , the scent released by the highest-grade natural oud oils comprises more than 150 separate compounds. “Even with mass spectrometry and gas chromatography, we still don’t have the complete signature,” he says. Blanchette, who has spent two decades investigating Aquilaria trees in conjunction with the Amsterdam-based Rainforest Project foundation, has patented a technique to artificially infect saplings, 100 percent of which go on to produce resin, although it’s less dense than that of centuries-old trees. Chemical Signature “The chemical signature is very close, and our hope is that in the future, it will become a viable source,” he says. Meanwhile, “harvesting wild trees will eventually kill oud, because of the loss of biodiversity,” says Ensar, an online purveyor of organic oud who declines to reveal his full name and who spends much of the year in Asia seeking out the best resin. “Aquilaria trees have to fight disease and sometimes die for oud to come into existence,” he says. “I wanted to cry when I cut down a farmer’s 60-year-old tree in Thailand that was fully loaded with resin. It’s all extremely existential.” “Oud takes a commitment, both financially and in the way you wear it,” Barclay’s Perez says. “I wear it only on special occasions and never to the office. But most of the time, I wear it for myself.” To contact the reporter on this story: Susan Hack at hacksusan@aol.com To contact the editor responsible for this story: Ted Moncreiff at tmoncreiff@bloomberg.net Continue reading

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Adihex: Culture and heritage on exhibit

Adihex: Culture and heritage on exhibit Silvia Radan / 5 September 2013 With no pomp, no ribbon cutting, the 11th Abu Dhabi International Hunting and Equestrian Exhibition (Adihex) opened its doors at 11am on Wednesday morning. For the next three days, until September 7, 39,000 square meters of the Abu Dhabi National Exhibition Centre is being taken by 600 national and international organisations promoting the widest variety of products and services related to outdoor camping, hunting, falconry, horse riding and Arab culture and heritage. “The Adihex is one of the most important annual events of its kind, dedicated to the preservation of culture and heritage. We continuously aim to achieve greater success year after year, especially since Adihex is the only exhibition specialised in the culture and heritage in the Gulf region, and as such maintaining success is surely more difficult than just achieving it,” declared Mohammed Khalaf Al Mazrouei, chairman of adihex Higher Organising Committee and Culture and Heritage advisor at the Abu Dhabi Crown Prince Court. An instant eye catcher at the exhibition is Abu Dhabi Tourism and Culture Authority’s (ADTCA) pavilion, the biggest of them all. “We are as big as last year, over 1,200 square metres,” said Saeed Al Kaabi, manager of traditional productions at ADTCA and in charge of the pavilion. “The concept is inspired by the Qasr Al Hosn, Abu Dhabi’s oldest fort. The architecture of the old walls is reproduced here, at a smaller scale, of course. Inside, we have about 40 Emirati traditional handicrafts and activities represented. We have a coffee shop offering free Arabic coffee, tea and dates; a souk where handicraft makers supported by ADTCA sell their products; a corner where Emirati ladies demonstrate the art of saddu and tally; a VIP majlis designed in the style of an old Emirati house…. We have falconry and from 4pm till closing time at 10pm we have Emirati folklore,” Al Kaabi told Khaleej Times. The ADTCA pavilion is also the host of the Arabic Coffee competition, which this year will give away Dh50,000 in prizes in several age and gender related categories. “So far we have about 30 people registered in the competition, but we never close the registration. Sometimes, a person comes just as the competition is about to start and enters it,” explained Al Kaabi. It is close to never that a non-Emirati dares to enter such a local competition, but so far this year an Egyptian national is challenging a few dozen Abu Dhabi Bedouins at Arabic coffee brewing. Coastal traditions are represented too with a full size dhow boat and several miniature ones. Their makers sit next to them, singing sea tunes from the past while making fishing nets. “I made this boat four years ago and my friend here, Khalifa Khamis Ismail made the miniature boats. Dhows are always made by the sea and in Abu Dhabi we still have a workshop in Al Bateen, part of the Emirates Heritage Club,” said Saif Al Benghazi. Since Adihex began 11 years ago as a wild falcon preservation project, getting falconers to give up their wild birds and go for farm bred ones instead, environmental issues are still big at the exhibition today. “This year we focus our presence at Adihex on falconry, so we promote the Falcon Hospital and our falconry research project in Mongolia, which we started in 2010,” said Razan Khalifa Al Mubarak, secretary general of Environment Agency – Abu Dhabi. The Abu Dhabi Falcon Hospital plays a major role at Adihex, as it sets up a clinic where all falcon buyers may check the birds prior to purchase, free of charge, to make sure they are not getting a sick falcon. Since the hospital also has a pet and animal rescue centre, it brings here some of its rescued cats and dogs, ready for adoption. “It’s amazing! In the first hour of the opening we had one dog and two cats adopted, as well as four falcons for checkup. Last year, the adoption didn’t start until the last two days of Adihex,” revealed Dr Margit Muller, director of Abu Dhabi Falcon Hospital. Adihex has prepared a full programme of shows from 5pm till 8pm that includes a short film on Adihex and equestrian, birds and camel shows, which will repeat every evening of the exhibition. silvia@khaleejtimes.com Continue reading

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Agar The First Potential Premium Product

Published : Saturday, 03 August 2013 Md Joynal Abdin Sujanagar union of Baralekha upazila under Moulvibazar district is the birthplace of Bangladeshi Agar-Agar wood and Agar oil. The Agar entrepreneurs of Sujanagar claim to be the first producers of the product in this subcontinent. Their relatives migrated to Assam (eastern province of India) and started Agar business there. The Mumbai Agar is a product of the migrant Bangladeshi people. According to what they claim, the Agar business in Bangladesh started its journey from Sujanagar about 400 years ago. About 150 factories are producing the fully export-oriented Agar wood and Agar oil at Sujanagar. They are producing premium (high-priced) products by using all local raw materials and machinery. Currently, they earn about Tk 500-750 million a year by exporting Agar products. It is now mentioned as an industry in any government document. Though the history of Agar industry in Bangladesh dates about 400 years back, Indian literature denotes the existence of Agar wood 2,000 years ago. It is an integral part of religious rituals of Hindus, Buddhists, Muslims, Christians, Taos, Sufis etc. In addition, it is widely used in Ayurveda, Unani, Arabic, Tibetan, Sufi and Chinese medicinal practices. The followers of Buddha believe that by burning Agar-wood and taking in its aroma one can reach the ultimate stage of meditation. It has found a mention in the 8th century tombs of Shahin Muslims. Agar trees grow in Bangladesh, Bhutan, India, Indonesia, Laos, Vietnam, Malaysia, Myanmar, the Philippines, Singapore, Brunei, and Thailand. The leading Agar exporting countries are China, Taiwan, Hong Kong, Vietnam, Thailand, Singapore, Malaysia, Indonesia, Cambodia, India, the UK, Laos and Myanmar. There are few reserves of Agar trees in government-owned forests in Bangladesh. However, some dishonest officials of the Bangladesh Forest Department (BFD) often sell these trees on auction to middlemen. They do not have any Agar factories. They do not produce any Agar-wood or Agar oil. The middlemen then again sell the Agar trees to the local or foreign Agar producers. And thus the Agar-oil producers have to pay higher prices. If the government ensures transparency of the auction, the real entrepreneurs will be benefited and the industry will grow further. According to a study of the Forest Research Institute Malaysia (FRIM), the world needs 4.5 million kilograms of Agar-wood per year and that is only the official figure. Unofficially, the world demands around six million kilograms per year. However, the producing countries could meet only 35 per cent of the demand led by India, the main producer, contributing only 12 per cent, Indonesia in the second place with seven per cent and Malaysia third with only six per cent. Thailand, Laos and Cambodia come after Malaysia. According to the study, 80 countries use gaharu or Agar products with the Middle East being the biggest importer. Only 35 per cent of the world’s demand is met by all Agar product producing countries. So there is a gap of 65 per cent between the demand and the supply of Agar products. So it is one of the overpriced products in the world. Bangladesh has a favourable climate for large-scale Agar plantation. We have skilled manpower and indigenous technology to produce the finest Agar wood and Agar oil. A big potential market is there. So the government should facilitate large-scale Agar production in Bangladesh. It can be the first Bangladeshi premium products to earn the highest amount of foreign currencies, if the necessary policy support is available from the government. Any public-private joint initiative help tap the enormous export potential of it. If Bangladesh does not take any initiative right now, other countries like Brunei, Malaysia etc may seize the opportunity to capture such a big market. ………………………………….. The writer is Programme Officer (Research & SME Journal) of the SME Foundation Continue reading

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